On Fervor

There is a room in a Museum filled with the face of a baby 
swaddled in mother arms. The face is distorted, in pre-
Renaissance fashion. There is a lack of depth and perspective 
And the face is mangled in closeness. As if the artists painted
Outward in, blanket painting the corners in until they finished
The smashed nose of the baby. There is a sweeping quality, 
in the way details are muddled and mangled. That is the way
I have been taught to love. The fervor intensity of physical arms 
held close and a kind of clawing for freedom. Resolved tears
Are issues solved; pinned away until the next time
Fingers squeeze and blood pumps. Fast. To love is to
Paint a segment of the picture without seeing
The rest of everything around it. To love is to make something 
Mangled but stunning and something that lasts 
Hundreds and hundreds of years despite 
being terrifying and a little hideous.